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  • Heather Bruton Illustrator. Lambert Lawson Goodreads Author Editor ,. Tod McCoy. Kij Johnson. Gillian Daniels Goodreads Author. Laura Govednik ,. Vincent Corbeau. Ann Colcord. I am a free companion, I bivouac by invading watchfires, I turn the bridegroom out of bed and stay with the bride myself, I tighten her all night to my thighs and lips. My voice is the wife's voice, the screech by the rail of the stairs, They fetch my man's body up dripping and drown'd.

    I understand the large hearts of heroes, The courage of present times and all times, How the skipper saw the crowded and rudderless wreck of the steam-ship, and Death chasing it up and down the storm, How he knuckled tight and gave not back an inch, and was faithful of days and faithful of nights, And chalk'd in large letters on a board, Be of good cheer, we will not desert you ; How he follow'd with them and tack'd with them three days and would not give it up, How he saved the drifting company at last, How the lank loose-gown'd women look'd when boated from the side of their prepared graves, How the silent old-faced infants and the lifted sick, and the sharp-lipp'd unshaved men; All this I swallow, it tastes good, I like it well, it becomes mine, I am the man, I suffer'd, I was there.

    The disdain and calmness of martyrs, The mother of old, condemn'd for a witch, burnt with dry wood, her children gazing on, The hounded slave that flags in the race, leans by the fence, blowing, cover'd with sweat, The twinges that sting like needles his legs and neck, the murderous buckshot and the bullets, All these I feel or am. I am the hounded slave, I wince at the bite of the dogs, Hell and despair are upon me, crack and again crack the marksmen, I clutch the rails of the fence, my gore dribs, thinn'd with the ooze of my skin, I fall on the weeds and stones, The riders spur their unwilling horses, haul close, Taunt my dizzy ears and beat me violently over the head with whip-stocks.

    Agonies are one of my changes of garments, I do not ask the wounded person how he feels, I myself become the wounded person, My hurts turn livid upon me as I lean on a cane and observe. I am the mash'd fireman with breast-bone broken, Tumbling walls buried me in their debris, Heat and smoke I inspired, I heard the yelling shouts of my comrades, I heard the distant click of their picks and shovels, They have clear'd the beams away, they tenderly lift me forth.

    I lie in the night air in my red shirt, the pervading hush is for my sake, Painless after all I lie exhausted but not so unhappy, White and beautiful are the faces around me, the heads are bared of their fire-caps, The kneeling crowd fades with the light of the torches. Distant and dead resuscitate, They show as the dial or move as the hands of me, I am the clock myself. I am an old artillerist, I tell of my fort's bombardment, I am there again.

    Again the long roll of the drummers, Again the attacking cannon, mortars, Again to my listening ears the cannon responsive. I take part, I see and hear the whole, The cries, curses, roar, the plaudits for well-aim'd shots, The ambulanza slowly passing trailing its red drip, Workmen searching after damages, making indispensable repairs, The fall of grenades through the rent roof, the fan-shaped explosion, The whizz of limbs, heads, stone, wood, iron, high in the air. Again gurgles the mouth of my dying general, he furiously waves with his hand, He gasps through the clot Mind not me—mind—the entrenchments.

    This poem is in the public domain. A Noiseless Patient Spider A noiseless patient spider, I mark'd where on a little promontory it stood isolated, Mark'd how to explore the vacant vast surrounding, It launch'd forth filament, filament, filament, out of itself, Ever unreeling them, ever tirelessly speeding them. And you O my soul where you stand, Surrounded, detached, in measureless oceans of space, Ceaselessly musing, venturing, throwing, seeking the spheres to connect them, Till the bridge you will need be form'd, till the ductile anchor hold, Till the gossamer thread you fling catch somewhere, O my soul.

    Walt Whitman America Centre of equal daughters, equal sons, All, all alike endear'd, grown, ungrown, young or old, Strong, ample, fair, enduring, capable, rich, Perennial with the Earth, with Freedom, Law and Love, A grand, sane, towering, seated Mother, Chair'd in the adamant of Time. To Think of Time 1 To think of time—of all that retrospection! To think of to-day, and the ages continued henceforward! Have you guess'd you yourself would not continue? Have you dreaded these earth-beetles?

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    Is the beginningless past nothing? Chapter One starts on page The Champions find that the inhabitants of Sahan, mostly officials, palace staff, and honor guards, and their families, are polite but little more. Politeness evolves into disapproval, then to ugly gossip that proves to be organized. An adolescent girl readership should be able to relate to gossip and a smear campaign. Then it turns deadly. The Champions individually investigate, at the same time they collectively organize fabulous palace balls and parties.

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    Roz Gibson has four full-page portraits of the main cast. Remember when Syrian refugees met furries? He said:. For the last 20 or so years they have not been translating anything, and simply adopting more english words, writing them in Cyrillic letters.

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    If this keeps happening, the Russian language will disappear in 50 years. Mark my words. I sent it to Fred Patten and asked for his thoughts. First, define early furry fandom. Carl Barks was retired. Scott Shaw!


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    • In underground comix, there were Robert Crumb and Gilbert Shelton. Fields imitation, was my favorite. Disney was still respected for its comic books by Carl Barks, and its animated characters like Dumbo, Bongo, the Wind in the Willows cast Ichabod and Mr. Toad , The Dalmations , the mice in The Rescuers , etc. Merlino was a correspondent of Ken Sample in NYC, so he can be said to be a seminal influence on furry fandom of both coasts. This cites Disney creators and animation presented at the ConFurence conventions of the s.

      Too late to be major influences, and overshadowed by such Warner Bros. He had made an excellent Kimba the White Lion costume in the s. King; they were already common by that time.